Maybe you’ve noticed. We started working with a new cooperative, new medium, not too long ago: hand-turned and hand-painted stoneware ceramics.
At first it was for completely selfish reasons. To be honest, this is how most of the product designs come about. For entirely selfish reasons – because I got a new computer, and want a laptop sleeve. Or I got a scooter, and want a new backpack (it’s too hard with a shoulder bag). Or it’s getting chilly, and I want a thick and cozy shawl. The list goes on and on.
For our ceramics, I felt this desire for a new product when I was working on my master’s in Europe. I was getting pretty used to the coffee (espresso) culture in Austria, but I still missed having cozy and large vessels for tea. That’s how I grew up in Japan, after all – tea all day. (Side note: I remember the first day of class in Austria, where education was surprisingly traditional, the professor said that there would be one break, or sometimes no break at all, for a 3-hour meeting. But then he added something like, “Unless you need a coffee – in that case, feel free to leave and take a coffee break whenever you need.” They sure love their coffee.)
And at the time, I was sad to not be able to work in-person with our artisan partners while away. I felt like I wasn’t being as creative as I usually was. And I just wasn’t feeling all that cozy, living in a sterile apartment with all white walls, everything electric, no garden, and for me, no character.
So even though I was thousands of miles away from Guatemala, and months away from spending summer here, I did the most reasonable thing in order for me to obtain some ceramic pieces I wanted in Europe. I designed them to be made in Guatemala. 🤷🏻♀️
It took several tries to get each design right. We now have four different ceramic items we are making in partnership with a cooperative at Lake Atitlán. They have been received well in the Antigua community, and have been selling well at the stores here. It has been a very interesting process to work with the new medium.
One thing I love about working with ceramics is the ability to incorporate textile designs in a non-textile way. Something about this departure is freeing. With woven designs, I find myself worrying about using traditional Maya patterns, or even the opposite – introducing designs that are somehow inspired by all the different traditions from around the world that I have been exposed to. My conclusion is that above all, I believe it’s important for our artisan partners to make a living. Traditions will only continue now if they can be a source of income for rural families. But still, there are other ethical concerns whirling in the back of my head. And with ceramics, we’re actually working entirely with non-indigenous techniques to begin with, and so I see no conflict with trying something new. New shapes. New sizes. New patterns. New colors.
With that said, I do try to stay away from designs that are strictly Maya. I don’t want to copy village patterns. So you won’t see any of the beautiful brocade patterns found here on the stoneware. What I wanted to show was more of a global common thread of textile traditions. Thus, the simple ikat patterns in indigo, and the simple running stitches, also in indigo. We tried other colors, but settled on my favorite, the calming navy blue. What’s more fitting than the magical indigo hue, the strongest of the natural dyes, found all over the world in textile traditions?
Anyway, thank you for reading. If you’d like, here are the links to take a look at our ceramic bundles online: